Photos I shot of Ruth Reichl in conversation with 🎙KCRW’s Evan Kleiman🎙at Annenberg Performance Studio at KCRW HQ. It was a lovely evening with celebrated author, chef, and restaurant critic Ruth Reichl, who spoke candidly about her time as the Editor of Gourmet magazine (the subject of her new book Save Me the Plums: My Gourmet Memoir). It’s always a treat to get to document and sit in as people have a conversation about their experiences and work, and what they love. ❤️
Some photos I shot last February of Women’s Øpposition Movement (@wom_la) second annual Valentine’s Day BINGO extravaganza at Zebulon! They raised $4,200 for Alexandria House (@alexandriahousela) who provides safe and supportive housing for women and children in Los Angeles. Hosted by Neil Hamburger, Bobcat Goldthwait, Megan Koester & Anna Seregina, and amazing prizes donated by so many awesome folks.
Women’s Øpposition Movement (@wom_la) has another fundraising event on September 1st at Zebulon! Check it out!
Looking back on photos I took of Jails and Justice for USC Arts in Action (@usc_artsinaction). This project brought together USC students, Black Lives Matter (@blmlosangeles), and the Institute of Theatre and Social Change (@uscsda) — all who are committed to reimagining policing, incarceration and public safety. The two new performances took place at California African American Museum (@caaminla) and were in support of Reform L.A. Jails (@reformlajails).
Into the ground, Joe Riley and Audrey Snyder, 2018/2019
I had the honor of documenting this collaborative sculpture by Joe Riley and Audrey Snyder for Clockshop, now on view at the Bowtie Project.
This project was originally commissioned for The Socrates Annual at Socrates Sculpture Park in New York. Into the ground reflects on how urban ecologies uptake and transform contaminants, and how collective bodies realize agency through ground-up organizing. At Socrates, this sculpture engaged with the park’s history of transformation from landfill to public park, and in Los Angeles, it will draw similar parallels to the Bowtie’s transformation-in-progress.
Here are some photos I shot of Carmina Escobar’s performance at The Bowtie Project for Clockshop. Escobar filled the historic Roundhouse at the Bowtie Project with light and sound for her site-specific performance FUENTES / This Nature of Ours. This performance, organized by Clockshop, was part of the Department of Cultural Affair‘s first ever public art biennial, Current:LA.
I had the honor of photographing this year’s Women’s Center for Creative Work cocktail party benefit, hosted by Jill Soloway, a few weekends back this December. Yay ∞ WCCW, thank you for the work you do.
Founded in 2013, the Women’s Center for Creative Work, or WCCW, is a not-for-profit organization whose mission is to cultivate LA’s feminist creative communities and practices.
Combining a co-workspace on the LA river in Frogtown, project incubation facilities, residency programs, a rapidly growing network of over 16,000 followers, and a full calendar of artistic and professional development programming, WCCW advocates for feminist-led creative businesses and projects in Los Angeles.
Patty Schemel was at the epicenter of the Seattle grunge scene in the 1990’s. She is best known as the drummer of the alternative rock band Hole. For this special Hear Sunday event, Schemel read from her new memoir Hit So Hard (Da Capo Press, 2017) and performed covers of favorite songs with Nina Gordon, Louise Post and Eva Gardner as the Ladies of the Canyon.