Last week was a really special one for me. Photographs I took during a 3 year period at the US/Mexico border (spanning from California through Texas) with AMBOS Project and Tanya Aguiñiga opened in a new exhibit W|ALLS: Defend, Divide and the Divine at the Annenberg Space for Photography.
♥︎♥︎ This wedding is after my own heart ♥︎♥︎
Marissa is a Mexican-American who grew up in Tijuana, Mexico (and now lives in Los Angeles). Her mother, father, & extended family often make the commute north and cross the US-Mexican border, and this celebration was no exception. Marissa’s birthday is on the 15th of July, and Josh’s birthday is on the 17th of July, so why not get married on the 14th and combine all the celebrating to make one perfect party? (My birthday aligned with these dates, on the 16th, which has got to activate some kind of cosmic power-party mode, right?).
Instead of one cake, they had two, and blew out their candles at midnight while holding hands, as their family and friends wore party hats and sang Feliz Cumpleaños (heart explosion -here-). AND OF COURSE there was a piñata. This was the quintessential Los Angeles wedding, which meant getting married at the Heritage Square Museum (a living history museum that explores the settlement and development of Southern California) beside a Queen Anne style Victorian home from a Los Angeles of yesteryear, and having the reception at Marissa’s sister’s artist studio alongside the LA River. Marissa grew up in Tijuana, Mexico, but has a deep affinity for LA history, which only leaves me with one question… Marissa & Josh, will you marry me? 💍
Here are some photos I shot of Carmina Escobar’s performance at The Bowtie Project for Clockshop. Escobar filled the historic Roundhouse at the Bowtie Project with light and sound for her site-specific performance FUENTES / This Nature of Ours. This performance, organized by Clockshop, was part of the Department of Cultural Affair‘s first ever public art biennial, Current:LA.